翻訳と辞書
Words near each other
・ Nothing to Gain
・ Nothing to Gein
・ Nothing to Hide
・ Nothing to hide
・ Nothing to Hide (album)
・ Nothing to Hide (magic show)
・ Nothing to hide argument
・ Nothing to Lose
・ Nothing to Lose (1997 film)
・ Nothing to Lose (2002 film)
・ Nothing to Lose (Billy Talent song)
・ Nothing to Lose (Bret Michaels song)
・ Nothing to Lose (Daniel Schuhmacher album)
・ Nothing to Lose (Eddie Money album)
・ Nothing to Lose (Emblem3 album)
Nothing Gold Can Stay (album)
・ Nothing Gold Can Stay (poem)
・ Nothing Good Happens After 2 A.M.
・ Nothing Has Been Proved
・ Nothing Has Changed
・ Nothing Has Changed (album)
・ Nothing Human Left
・ Nothing Hurts
・ Nothing Hurts Like Love
・ Nothing I Can Do About It Now
・ Nothing Important
・ Nothing Important Happened Today
・ Nothing in Biology Makes Sense Except in the Light of Evolution
・ Nothing in Common
・ Nothing in Common (Christopher song)


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Nothing Gold Can Stay (album) : ウィキペディア英語版
Nothing Gold Can Stay (album)

''Nothing Gold Can Stay'' is the debut studio album by American pop-punk band New Found Glory, released on October 19, 1999 through independent record label Eulogy Recordings. At the time, the band was then named "A New Found Glory", but later dropped the indefinite article "A" due to some fans struggling to find their records in stores.〔(【引用サイトリンク】title=The Lowdown - New Found Glory )〕 The original pressings of the album contained samplings from several films including ''The Outsiders'' (1983), ''Weird Science'' (1985), and ''That Thing You Do!'' (1996), as well as Robert Frost's poem "Nothing Gold Can Stay", after which the album is named.
On the strength of the release, Richard Reines, co-founder of Drive-Thru Records, signed the band after paying Eulogy a $5,000 license fee in order to re-release the album. Propelled by debut single "Hit or Miss", ''Nothing Gold Can Stay'' garnered a cult following and sold in excess of 300,000 copies.〔 The record was responsible for breaking the band in the United States and has been noted for its influence on contemporary pop punk music.〔〔
==Background and recording==
Following the band's underground success with the release of debut EP ''It's All About the Girls'' (1997), they soon caught the attention of independent label Eulogy Recordings, and the quintet subsequently signed in order to increase distribution of their music. The album was recorded on a low budget with the members having to self-fund the sessions. Jordan Pundik recalls, "I was working in Walgreens, I remember borrowing money off my sister to pay for the recording and everybody getting on me for not throwing in enough."〔 Chad Gilbert also said that the album "wasn't recorded too well", but also praised its rawness by adding, "It sounds more real than a lot of other records".〔 Pundik worked alongside primary lyricist and rhythm guitarist Steve Klein to pen the tracks. "When me and Steve would work on the songs, he'd come and pick me up in his punk-rock station wagon, with stickers all over the back. It didn't have a stereo, just a boombox. We'd sit in his room at his parents' house, and we'd work on lyrics and melodies with sheets of paper everywhere". Pundik also said that a five-year relationship during high school inspired the lyrics to "Winter of '95". "I was with her for 5 years, she was the only thing I knew, so that played a big part. I remember listening to a Gameface record on vinyl, but was writing my own lyrics for the song at the same time in my head".〔 Gilbert reflects on the album as "100 percent, without a doubt, the most honest, simple, pure record. We were just a bunch of kids who grew up in the suburbs. We never expected to leave Florida, we were just making a record we could play locally and sell to friends. Then, eventually, it took us so many other places".〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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